RECLAIMING THE FEMALE BODY: GENDER, DESIRE, AND AGENCY IN CONTEMPORARY HINDI CINEMA
ABSTRACT
Contemporary Hindi cinema has undergone a
significant transformation in its representation of women, sexuality, and
desire. While earlier Bollywood films frequently portrayed women as passive
objects of male desire within patriarchal narratives, recent films increasingly
depict women as autonomous subjects capable of articulating their own desires
and identities. This research paper examines the representation of gender,
body, and desire in contemporary Hindi cinema through a feminist theoretical
framework. Drawing upon the works of Laura Mulvey, Judith Butler, and Michel
Foucault, the paper analyzes how the female body has shifted from being merely
a spectacle for the male gaze to becoming a site of resistance, agency, and
self-expression. Through textual analysis of selected films such as Lipstick
Under My Burkha (2016), Queen (2014), Parched (2015), Gehraiyaan (2022), and
Gangubai Kathiawadi (2022), the paper explores the changing discourse
surrounding female sexuality, bodily autonomy, and identity in Bollywood. The
study argues that contemporary Hindi cinema reflects evolving social attitudes
toward women’s agency while simultaneously negotiating patriarchal anxieties
and cultural conservatism. Ultimately, the paper demonstrates that cinema
functions as a contested cultural space where gender identities and sexual
politics are continuously reconstructed.
Keywords: Gender, Body Politics, Female Desire, Hindi
Cinema, Bollywood, Feminist Film Theory, Male Gaze, Sexuality, Agency,
Representation